Thursday, October 25, 2012

Alicia Keys: The Role Models Who Inspire Me

Exclusive! iVillage's Guest Editor identifies the people who have made a difference in her life and who have made her feel empowered

Source: http://www.ivillage.com/alicia-keys-role-models-and-inspirations/1-b-495999?dst=iv%3AiVillage%3Aalicia-keys-role-models-and-inspirations-495999

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China ends nuke plant ban set after Japan disaster

FILE - In this June 10, 2005 file photo, workers walk past a part of Qinshan No. 2 Nuclear Power Plant, China's first self-designed and self-built national commercial nuclear power plant in Qinshan, about 125 kilometers (about 90 miles) southwest of Shanghai, China. China is ready to approve new nuclear power plants as part of ambitious plans to reduce reliance on oil and coal, ending a moratorium it imposed because of Japan's Fukushima disaster in 2011. The Cabinet on Wednesday, Oct. 24, 2012, passed plans on nuclear power safety and development that said construction of nuclear power plants would resume "steadily." (AP Photo/Eugene Hoshiko, File)

FILE - In this June 10, 2005 file photo, workers walk past a part of Qinshan No. 2 Nuclear Power Plant, China's first self-designed and self-built national commercial nuclear power plant in Qinshan, about 125 kilometers (about 90 miles) southwest of Shanghai, China. China is ready to approve new nuclear power plants as part of ambitious plans to reduce reliance on oil and coal, ending a moratorium it imposed because of Japan's Fukushima disaster in 2011. The Cabinet on Wednesday, Oct. 24, 2012, passed plans on nuclear power safety and development that said construction of nuclear power plants would resume "steadily." (AP Photo/Eugene Hoshiko, File)

FILE - In this March 3, 2006 file photo, a Chinese cycles past the Daya Bay Nuclear Electricity Plant in Shenzhen, in China's southern Guangdong province. China is ready to approve new nuclear power plants as part of ambitious plans to reduce reliance on oil and coal, ending a moratorium it imposed because of Japan's Fukushima disaster in 2011. The Cabinet on Wednesday, Oct. 24, 2012, passed plans on nuclear power safety and development that said construction of nuclear power plants would resume "steadily." (AP Photo/Color China Photo, File) CHINA OUT

(AP) ? China has decided to approve new nuclear power plants as part of plans to reduce reliance on oil and coal, ending the moratorium it imposed to review safety in the wake of Japan's Fukushima disaster last year.

The government's decision Wednesday that nuclear power is safe for China takes the country in the opposite direction from some developed nations such as Germany, which decided in the wake of the Fukushima disaster to speed its complete phase-out of nuclear power. Japan is planning to phase it out by 2040.

China is the world's biggest energy consumer, and building new reactors is a key part of Beijing's plans to curb demand for fossil fuels.

The communist government is aggressively promoting alternatives to coal and oil in order to reduce pollution and curb its reliance on imported petroleum, which it sees as a national security risk. Still, coal is forecast to remain the country's main energy source for decades.

The government said Wednesday it hopes to generate 30 percent of China's power from solar, wind and other renewable sources, as well as from nuclear energy, by the end of 2015. That's up from an earlier target of 15 percent from renewables plus 5 percent from nuclear by 2020.

The Cabinet on Wednesday passed plans on nuclear power safety and development that said construction of nuclear power plants would resume "steadily."

Only a small number of plants will be built, and only in coastal areas, according to a Cabinet announcement. The plants will meet the most stringent safety standards, it said.

No date was given for resuming construction of nuclear plants. Despite widespread public concern over possible radiation contamination from the Fukushima disaster and calls for improved safety precautions and emergency preparedness, China remains committed to building up nuclear power to help reduce emissions from coal-fired plants and curb its reliance on costly oil imports.

China suspended approvals of new nuclear plants after a tsunami triggered by the massive March 11, 2011, earthquake crippled the Fukushima plant's cooling and backup power systems, causing partial meltdowns in the worst nuclear disaster since the 1986 Chernobyl catastrophe.

China's leaders ordered safety checks for existing nuclear facilities, a review of projects under construction and improved safety standards.

"The inspection results show that nuclear security is guaranteed in China," according to a government report on its energy policy also released Wednesday. "China implements the principle of 'safety first' in the whole process of nuclear power station planning."

China currently has 15 nuclear reactors that provide about 12.5 gigawatts of generating capacity, and another 26 reactors are under construction that will add 30 gigawatts, the report said.

Nuclear power accounts for only 1.8 percent of power in China, it said.

The government report also said that China is now 90 percent energy self-sufficient, but acknowledged high demand will continue to put a strain on resources.

It also warned of "grave challenges" to its energy security in its growing dependence on imported petroleum. Imports accounted for a third of total petroleum consumption in the early 2000s and have jumped to nearly 60 percent now, the report said.

China will also encourage private companies to participate in exploration and development of energy resources, it said.

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/f70471f764144b2fab526d39972d37b3/Article_2012-10-24-China-Nuclear%20Energy/id-363d084ebb2d4d0da6cf8246644238e9

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NASA saw Tropical Storm Murjan making landfall on the Horn of Africa

NASA saw Tropical Storm Murjan making landfall on the Horn of Africa [ Back to EurekAlert! ] Public release date: 25-Oct-2012
[ | E-mail | Share Share ]

Contact: Rob Gutro
robert.j.gutro@nasa.gov
443-858-1779
NASA/Goddard Space Flight Center

NASA's Aqua satellite watched from space as Somalia in the Horn of Africa experienced a landfalling tropical cyclone on Oct. 25.

On Oct. 25, NASA's Aqua satellite saw Tropical Storm Murjan begin to make landfall in eastern Somalia, just south of Cape Guardafui. Cape Guardafui is located in the northeastern Bari province and forms the geographical point of the Horn of Africa.

On Oct. 25, 2012 at 0720 UTC (3:20 a.m. EDT) the Moderate Resolution Imaging Spectroradiometer (MODIS) instrument that flies aboard NASA's Aqua satellite captured a visible image of Tropical Storm Murjan's western half making landfall on the Horn of Africa while the eastern half of the storm was still over the Arabian Sea.

NASA's Aqua satellite also captured an infrared look at Tropical Storm Murjan as the storm continued moving inland. The Atmospheric Infrared Sounder (AIRS) instrument aboard captured infrared imagery that showed about one-half of the tropical storm had moved over Cape Guardafui, Somalia. The western half of the storm over land, contained some thunderstorms that were reaching high into the troposphere where cloud top temperatures were as cold as -63 Fahrenheit (-52 Celsius) and they have the potential to drop heavy rainfall.

As Murjan progressed on its western track, it continued to push further over the Horn of Africa, specifically in northeastern Somalia.

On Oct. 25 at 1500 UTC (11 a.m. EDT), Murjan had maximum sustained winds near 35 knots (40.2 mph/64.8 kph). It was located about 140 nautical miles east-southeast of Cape Guardafui, Somalia, near 9.4 North latitude and 50.7 East longitude. Murjan was moving to the west-southwest at 12 knots (13.8 mph/22.2 kph).

As Murjan continues to move over land, convection (rising air that forms thunderstorms that make up the tropical cyclone) continues to deteriorate quickly. Forecasters at the Joint Typhoon Warning Center expect Murjan to dissipate over land on Oct. 26.

###



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?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


NASA saw Tropical Storm Murjan making landfall on the Horn of Africa [ Back to EurekAlert! ] Public release date: 25-Oct-2012
[ | E-mail | Share Share ]

Contact: Rob Gutro
robert.j.gutro@nasa.gov
443-858-1779
NASA/Goddard Space Flight Center

NASA's Aqua satellite watched from space as Somalia in the Horn of Africa experienced a landfalling tropical cyclone on Oct. 25.

On Oct. 25, NASA's Aqua satellite saw Tropical Storm Murjan begin to make landfall in eastern Somalia, just south of Cape Guardafui. Cape Guardafui is located in the northeastern Bari province and forms the geographical point of the Horn of Africa.

On Oct. 25, 2012 at 0720 UTC (3:20 a.m. EDT) the Moderate Resolution Imaging Spectroradiometer (MODIS) instrument that flies aboard NASA's Aqua satellite captured a visible image of Tropical Storm Murjan's western half making landfall on the Horn of Africa while the eastern half of the storm was still over the Arabian Sea.

NASA's Aqua satellite also captured an infrared look at Tropical Storm Murjan as the storm continued moving inland. The Atmospheric Infrared Sounder (AIRS) instrument aboard captured infrared imagery that showed about one-half of the tropical storm had moved over Cape Guardafui, Somalia. The western half of the storm over land, contained some thunderstorms that were reaching high into the troposphere where cloud top temperatures were as cold as -63 Fahrenheit (-52 Celsius) and they have the potential to drop heavy rainfall.

As Murjan progressed on its western track, it continued to push further over the Horn of Africa, specifically in northeastern Somalia.

On Oct. 25 at 1500 UTC (11 a.m. EDT), Murjan had maximum sustained winds near 35 knots (40.2 mph/64.8 kph). It was located about 140 nautical miles east-southeast of Cape Guardafui, Somalia, near 9.4 North latitude and 50.7 East longitude. Murjan was moving to the west-southwest at 12 knots (13.8 mph/22.2 kph).

As Murjan continues to move over land, convection (rising air that forms thunderstorms that make up the tropical cyclone) continues to deteriorate quickly. Forecasters at the Joint Typhoon Warning Center expect Murjan to dissipate over land on Oct. 26.

###



[ Back to EurekAlert! ] [ | E-mail | Share Share ]

?


AAAS and EurekAlert! are not responsible for the accuracy of news releases posted to EurekAlert! by contributing institutions or for the use of any information through the EurekAlert! system.


Source: http://www.eurekalert.org/pub_releases/2012-10/nsfc-nst102512.php

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Wednesday, October 24, 2012

Vets Warn Pet Owners Over Faulty Microchips | Stuff.co.nz

Shane Pattinson with daughter Casey and cavoodle Bonnie

PHIL REID/Fairfax NZ

FAULTY CHIPS: Shane Pattinson, with daughter Casey, says his cavoodle, Bonnie, is "a bit of a runner" and needed a second chip because the first was a dud.

Vets are being advised to double-check microchips in animals amid concerns that hundreds of dogs could be carrying faulty chips.

Wellington vets are reporting a "steady stream" of animals being brought in with faulty chips, raising fears among owners that their pets could end up being put down if they went missing.

Dogs registered for the first time are required by law to be microchipped as part of dog control measures introduced in 2006 to help identify owners of dangerous dogs. It costs up to $80 to have a chip implanted.

Allan Probert, of Animalz, said he had seen about 30 dogs in the past two years with microchips that failed to scan, despite X-rays showing the chips - about the size of a grain of rice - were where they were supposed to be. That meant many owners could be living with a false sense of security that, if their dog ran away, they could be reunited, he said.

Instead, their pets could be unwittingly put down by dog control officers. "It lends itself open to the potential for tragedy."

Staff now checked the chip on every animal to ensure it was working.

Shane Pattinson's cavoodle Bonnie had to have a second chip injected after her first one was found to be faulty during a routine check.

He had believed the chip was working and would help him locate Bonnie if she ever ran away, because she was "a bit of a runner", he said.

There would have been "unhappy campers" in his house if a faulty chip meant the family lost their pet permanently.

"This little flippy guard dog of ours has become part of the family."

David Kettles, head vet at Central Hutt Veterinary Clinic, said the practice was noticing a "steady stream" of cats and dogs with faulty chips since the beginning of last year, and it was now routinely scanning animals.

It appeared the problem may have resulted from a faulty batch of microchips, as staff were noticing it in one brand.

Mr Probert said he had spoken to one of the main suppliers of chips, which had told him it had noticed some of them failing, and a survey found about three in every 1000 were faulty.

There are more than 150,000 microchipped dogs in New Zealand.

- ? Fairfax NZ News

Source: http://www.stuff.co.nz/national/7854110/Faulty-chips-mean-pets-could-be-lost-vets-warn

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Britain's bookmakers see Obama returning to White House

LONDON (Reuters) - U.S. President Barack Obama will be elected for a second term next month if Britain's bookmakers are to be believed.

The polls have Obama effectively tied with rival Mitt Romney in the two-horse race for the White House but the odds show gamblers putting their money on the incumbent.

British bookmakers offer political betting as a niche sideline to more lucrative wagers on sports like horse racing and soccer. They take bets from around the globe - although not from the United States where such gambling is prohibited.

"It's really exciting betting. The markets and the pollsters have a little competion on who is most accurate," Richard Glynn, chief executive of British bookmaker Ladbrokes , told Reuters.

Two weeks before the November 6 election, Obama was 2/5 favorite with Ladbrokes, meaning a punter would have to gamble 5 pounds ($17.6) to win 2 pounds. Romney would offer a better return at odds of 15/8, allowing gamblers to win almost double what they wager.

Online gambling exchange Betfair, which cuts out the middleman by matching bets directly between gamblers, gives Obama a 66 percent chance of victory, to 34 percent for his Republican challenger.

Betfair claims that its exchage can provide a more reliable guide to the outcome of elections than some polls.

It cites the notorious example of 2004 when exit polls pointed to a win for Democrat John Kerry but its exchange indicated the correct result, a second term for George W. Bush.

"People betting their money make a much more hard-headed decision," said Betfair spokesman James Midmer.

"With polls, people sometimes say who they want to win."

Britain's largest bookmaker William Hill said it expected over one million pounds ($1.6 million) to be staked with it on the U.S. election - the highest it has recorded for the vote.

Putting that figure in perspective, the bookmaker says gamblers will bet more on the English Premier League soccer clash between top two Chelsea and Manchester United this Sunday.

Political betting caters for gamblers left cold by sporting action, says William Hill spokesman Graham Sharpe.

"It gets us to people that we otherwise couldn't reach," said Sharpe. "People tend to have one main passion that they will bet on because they have enough knowledge," he added.

William Hill is also taking bets on two more senior roles up for grabs closer to home - the next Bank of England governor and the new Archbishop of Canterbury.

(Editing by Catherine Evans)

Source: http://news.yahoo.com/britains-bookmakers-see-obama-returning-white-house-092228046--finance.html

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Tuesday, October 23, 2012

Ancestry.com agrees to $1.6 billion buyout: WSJ

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Egypt groups say anti-Islam film defendant being mistreated

CAIRO (Reuters) - Egyptian rights group said on Monday a Coptic Christian on trial for posting online a video that ignited protests around the globe for mocking Islam was being fed food unfit for human consumption and held in a cell plagued with insects.

Computer science graduate Alber Saber was arrested in Cairo last month after neighbors accused him of uploading sections of "Innocence of Muslims", that was made in California.

Clips from the film were posted on various parts of the Internet weeks before violent protests erupted in countries including Egypt, where protesters tore down the flag at the U.S. Embassy. Four Americans, including the ambassador, were killed in an attack on the U.S. consulate in the Libya's Bengazhi.

Saber's case has raised concerns over freedom of expression under Islamist President Mohamed Mursi, who came to power in an election this year after the uprising that toppled veteran ruler Hosni Mubarak in 2011.

The 10 groups said he was being held in a cell where sewage had flooded nearby while he is on trial in connection with the film and other charges including insulting both Islam and Christianity and running Facebook pages calling for atheism.

"The prison's management refuses to move him outside his cell for ventilation and detains him all hours of the day ... his family has to buy him food during visits but the management denies its entry," their statement said.

A prison official told Reuters the allegations were false and that all prisoners received the same treatment and food was served to all of them unless they refused it.

The groups, who have filed a complaint to the general prosecutor, also said Saber was subjected to violence and "harsh" treatment during his transportation to court, resulting in hand injuries. They said he was prevented from medical examination at the prison.

If found guilty, the 27-year-old could be jailed for up to six years, according to a report issued this month by rights group Amnesty International, which demanded that Egyptian authorities free Saber immediately.

Christian Copts form around 10 percent of the population in Egypt. Many have been concerned about the rise of Islamists since Mubarak's fall and fret about any action that could stoke tensions with their Muslim compatriots.

(Reporting by Tamim Elyan; Editing by Alison Williams)

Source: http://news.yahoo.com/egypt-groups-anti-islam-film-defendant-being-mistreated-160916390.html

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Store Potatoes with an Apple to Keep Them from Sprouting

Store Potatoes with an Apple to Keep Them from SproutingDo you hate those ugly sprouts that form on your potatoes after just a couple of weeks? It turns out an apple a day might keep those sprouts away and also help the potatoes last longer.

Designer Jihyun Ryou says that the ethlylene gas produced by apples prevents potatoes from sprouting. Since apples also cause other fruits and vegetables to ripen too quickly, storing the apples away from them is good for your other produce too. Ryou's other food storage tips on MoCo Loco are helpful too, such as storing root vegetables vertically.

The apples and potatoes storage tip has also been proven by America's Test Kitchen. In their experiment, potatoes stored with an apple stayed firm and sprout-free even after eight weeks, compared to potatoes stored without an apple; they turned out "largely soft, shriveled, and sad looking." So add an apple and save your potatoes.

Save Food From The Fridge | MoCo Loco via The Homestead Survival

Source: http://feeds.gawker.com/~r/lifehacker/full/~3/QtjbOwNbpBk/store-potatoes-with-an-apple-to-keep-them-from-sprouting

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Monday, October 22, 2012

Mobile Nations podcast. 11:30 am ET/8:30am PT. Be here.

The Mobile Nations podcast returns with Kevin Michaluk of CrackBerry.com, Phil Nickinson of Android Central, Daniel Rubino of WPCentral, Rene Ritchie of iMore, and special guest Marcus Adolfsson, CEO of Mobile Nations!

Want to go full screen? Head to iMore.com/live. Want to watch via iPhone or iPad? Grab the Ustream app and search for "mobilenations". Want to subscribe to any or all of our shows? Head on over to our podcast page.



Source: http://feedproxy.google.com/~r/TheIphoneBlog/~3/NgU51JFBQrk/story01.htm

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Breakfast Links: Hunting Satan, No Bounce, the Real God Stands Up

BREAKFAST LINKS for 10/22/12:

Hunting Satan: ?How does a simple statement of what may be true??XYZ happened because of the work of the dark one??end up justifying failure to embrace the redemptive work of God on the one hand and acts of unspeakable violence in Jesus? name on the other??

Jonathan S. Tobin: No Bounce for Obama Troubling to Dems

Ed Morrissey: When Desperation Strikes Incumbents

Vote for Life, Liberty and the Pursuit of Happiness: ?As this election draws near, there are two paths which lie before us. They are headed in opposite directions. One encourages ?life, liberty and the pursuit of happiness? and one seems to be in direct opposition to these God-given rights.?

Molly Ball: Why Women Are Abandoning Obama

Kathleen Dolan and Jennifer L. Lawless: Does Romney ?Get? Women Who Work?

Will the Real God Please Stand Up?: ?Does Job offer an easy response to our opening question? Decidedly not. But after YHWH?s speech, we may be able to say with Job that our old ?hearing of the ear? needs a more active and personal ?seeing of the eye? if we are to catch sight of the real God for whom we all seek.?

Michael Stafford: The Pro-Life Movement?s Failure

Elizabeth Evans Hagan: Religious Litmus Tests

John Blake: Is Obama the Wrong Kind of Christian?

The Badness of Ayn Rand: ?Rand?s fiction sucks for the same reason so much Christian fiction sucks. It is endlessly didactic, so busy preaching it forgets to pay close attention to life.?

Source: http://www.patheos.com/blogs/philosophicalfragments/2012/10/22/breakfast-links-hunting-satan-no-bounce-the-real-god-stands-up/

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Adhere to These Guidelines To Instill Worth At Hom | Information

For those thinking about house renovations and improvements, there are numerous alternatives to think about. A suitable redecorating venture http://www.framelessglassdoorsuk.co.uk can boost the value of a person?s home considerably. When participating in home improvement, there are plenty of aspects to consider. Use this article for advice on performing renovations the right way.

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The average-sized house that is badly insulated can shed just as much as 25 % of their heat in the autumn and winter. Although changing your attic with glass fibers heat retaining material components may seem like an important cost in the beginning, you may easily bust despite having how much cash preserved on your own monthly warming bills.

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Sustaining a stage go and a travel for perfection while in home renovating could be a bit difficult. There is a lot taking place, and you have to be able to ?roll together with the punches? as we say. The minds in the following paragraphs have demostrated you how you can have a gorgeous home without breaking the banks and highlight your very own style while not hurting your reselling benefit.

Source: http://gosselinfiat.com/accounting/adhere-to-these-guidelines-to-instill-worth-at-hom/

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M@h*(pOet)?ica Scott Helmes

#StorySaturday is a Guest Blog weekend experiment in which we invite people to write about science in a different, unusual format ? fiction, science fiction, lablit, personal story, fable, fairy tale, poetry, or comic strip. We hope you like it.

=========================

A poem that fully demonstrates the value of a poem?s including mathematics.is Scott Helmes?s ?Non-additive postulations.? It consists of ten equations full of Greek symbols, square root signs, and terms like ?noosphere / RBF.? Their over-all subject, it seems to me, is sex. Probably the most accessible (and my favorite) of them is the one just quoted (which I posted in my first entry to this blog and now will try to make sense of, as I then said I would).

This equation at first seems strange, to say the least. But once one begins mathematizing, interesting things happen. First, ?rudders? divided by ?udders? becomes a simple ?r.? This being the first letter of ?relationship,? the sole term on the left, it brings one quickly and vividly to the ?relationship? that shares that word with ?r.? And one begins whirling into thoughts of the complexity of human love, with its tension of leadership (?rudders?) versus nurture (?udders?) that is at the heart of all relationships? being, or ?are-ness.?

The square root of ?alphawakes? over ?oscillations? is tougher to make sense of. According to the logic of the poem so far worked out, it should equal ?elationships? (which it?s wonderful to believe that some relationships would have!) Mathematically, this means the quantity ?alphawakes? over ?oscillations? squared should equal ?elationships? squared.

If we want to get anywhere with this, poetic intuition must take over from mathematical reasoning (or the strange cousin of it I?ve been using). First, we must explicate ?alphawakes.? If we let the ?wakes? part of it stand for both the opposite of going to sleep and for something associated with funerals, and have the right background in literature, we can grant it the rich ambience it has in the title of Joyce?s Finnegans Wake. Moreover, with ships of sorts involved, ?wake? has yet another meaning with at least a little metaphorical aptness.

Finally, the ?alpha? part of the word strongly brings to mind (as my friend Stephen-Paul Martin noted when reading an earlier version of this analysis) the ?alphawaves? of the dream-state, and the ?goddess? of that state, and of Intuition in general, Joyce?s Anna Livia Plurabelle (ALPha). The ?alph? injects a bold sense of firstness into the meld, too.

I?m a little foggy as to how ?oscillations? fit into it. It seems to me they would tend, by their division into the alphawakes, to reduce the latter?s bounciness?perhaps to tone down the frivolity of the relationships it is contributing to the meaning of.

In any event, the equation stirs varied images and ideas into the mind, which for me is a main function of poetry, and art. Its mathematical formulation not only serves vivifyingly and freshly to condense its message but to provide an almost absurdly
rational background structure to a subject about as beyond rationality as there is, the human male/female ?relationship.? But here with another point of view on works like ?relationships? (my name for it) is Scott Helmes his own self, in the afterword he wrote to Non-Additive Postulations and the Square Root of Other Poems, the book ?relationships? was in?and my press published:

In the late 1960s and early 1970s, I had been reading a number of books relating to communication and inter-disciplinary approaches to education, such titles as Two Cultures and a Second Look (C P. Snow), Cybernetics or Control and Communication in the Animal and the Machine (Norbert Weiner) and The Medium is the Message (Marshall McLuhan) stand out. One afternoon, it occurred to me that mathematical symbols and instructions represented a separate independent language and wouldn?t it be interesting to combine this language with the spoken and written English language. Not ever having written a poem previously, I then proceeded to compose/write about 15 poems dealing with mathematical ideas. Some of the works contained just written words and some contained a combination of mathematical symbols? and words. Wiener?s book was probably the most influential, serving as inspiration as it contained mathematical equations which described communication.

What struck me about mathematics as a language was that the symbols are ?translanguage.? For example, a Russian and English mathematician, neither knowing the other?s spoken language, could converse for days about mathematical issues using the symbols. When the poems were first written, their visual appearance did not appear as striking as I thought they might have seemed in concept; maybe because I had taken physics, acoustics and other engineering courses as part of my college requirements. There was an ?understanding? of them at least visually.

From this, and my own intuitive response to his poems, it seems to me their main function is to suggest the something beyond mundane reality as words wrenched (almost entirely) free of their denotations into nexuses of connotations by their equational re-contextualization rather than used with mathematical symbols in mathematical operations to poetically express old beauty from a new angle.

Ordinarily, I?d strike the preceding paragraph as pretentious, incoherent and dopey, but I?m choosing to leave it as is. I think it a good example of how a critic finding himself in a kind of art as yet rarely if ever effectively written about can have valuable things to say (as I believe I do), but fail to do anything but repel the intelligent reader, or at least make him shake his head in dismay, when he tries to use words to express those valuable things. (Although, alas, many critics will depend, successfully, on texts like the above to dazzle their readers!)

Okay, now for what I hope will be a better try. Like Duchamp putting a urinal into a museum, shearing it of its normal denotations so its attributes as a sculpture became visible (not that Duchamp seems to have realized that?s what he was doing), Helmes puts his poem into mathematical equations to minimize its ordinary denotations and release its connotations. It is equally true that he detaches the math in his works from their technical concerns to allow them . . . to have fun.

He is not concerned that a reader find the kind of story in what he does that I did, although I?m sure if that happens, it?s fine with him. He mainly wants to take his readers on mathematical adventures pure mathematics will never open into, adventures that are also verbal adventures no linguexpressive poems (i.e., poems that are linguistically expressive only) can open into.

In any case, here is the full set of ?non-additive postulate? the poem I dealt with is from:

Notice what ?relationships? equals in his second equation. Does that help you with it in the third equation? I think it rather contradicts what I said about relationships, which I thought positive! I?ll leave it to better mathematicians than I to decide. All I can say is that the concept of a ?blueberryohio? even if not taken to the ?tenth power,? makes being with these things worthwhile! And what about the multiplication of ?recognition? by ?without??

I hope in a later entry here to return to these sorts of works by Scott, with improved ideas about them thanks to the world-wide discussion these remarks of mine on them will surely ignite. (Sorry, I don?t believe in emoticons, so you?ll have to guess whether or not I?m being sarcastic here.) Right now, however, I?m going to turn to something recent of Scott?s mathematical poetry in color!

Malevich Today

Malevich Today

I am proud to state that I commissioned this! ?Do something in color for me,? was my command. So, to construct the above, he turned to the work Kasimir Malevich (1878-1935), the inventor of a kind of visimagery (i.e., my idiosyncratic term for ?visual art,? you may recall) known as suprematism around a century ago, and considered (with Piet Mondrian) the most important pioneer of geometric non-representational art. Below is a detail from an early work of his called, ?Supreme.?

Supreme

Supreme

I would describe Scott?s work first of all as a variation on a mathematical proof: a surrealization of such proofs that presents us with two equations we are to take as true, and told that from them the final equation follows. That final equation seems to me a wry squaring of the circle. In any case it gives us something quite fascinating to think about, those of us, that is, with the right short circuits in our brains: the question of just what a flat circle divided by a circle facing us would equal. Visually. Mathematically, I?m sure there are trig tricks, or vector manipulations, or the like, that would take care of the matter. Obviously, because computer programs can use math to re-orient images. But thinking only about a simple arithmetical fraction like this one, what might happen strikes me as rather profound.

Of course, that?s only me?but it?s still important because one of the principal things poetry is good for is nudging an engagent of a specimen of it into thoughts and ideas that seem to him profound, however ditzy they may seem to others. One might even go from my simple wonder into the larger wonder at the magic of exactly what it is mathematically that allows computer software to manipulate images.

While still on the final equation of Scott?s set, the question of how the yellow of the outward-facing circle and the grey of the flat circle will affect what they equal, and why what they equal should be black? Does the fact that the yellow circle has to go through a black division-denoting line have anything to do with it? Silly, yes?but a reminder that details count in poetry!

Much in the ?proof? is left out?no doubt to be considered standard knowledge for poetimeticians, such as the value of ?A.?

Another thought, inspired by the title of the piece, ?Malevich Today?: that Scott?s piece offers us an escape from cut&dry math the way suprematism offers an escape from cut&dry realistic painting?which gives our pleasure in the latter a chance to revive.

To finish this session with the mathexpressive work of Scott Helmes, here?s another math work in color of his, done some time ago, after I?d shown him some of my long division pieces:

Mathemaku Divided by Grumman

Mathemaku Divided by Grumman

This is almost entirely a visimage (visual image)?but the barely noticeable infiltration of what I call the ?dividend shed? (there doesn?t seem to be a formal name for it, unless it?s the ?guzzinto sign? my friend Sid Glaser told me he knew it as?because it tells us what a divisor ?goes into?), and the even less-noticeable infiltration of the decimal point. So aside from being a wonderful collage with enough triumphs of design to keep us in the thing for days combined with intriguing ever-deepening narratives beginning and ending, we have these two alien features problematizing it. The dot may be the more important of them, but it requires the dividend shed to assert its identity as a decimal point. As such, it decisively mathematicizes the top line of images, transforming it into a sequence of ever diminishing importances, a blank, or zero, amount of tenths being one of them, it would seem.

Granting this, what are we to make of the rectangle with what seems to be an umbrella in it outside the quotient, and the rectangles directly under the divisor, which is the rectangle with the clock in it? Why is the first term in the dividend blank? Against, it would seem we have a surrealization of a mathematical event, in this case, a long division.

Always trying to find what I call a unifying principle in a work of art, I am now going (for now) to abandon my attempt to interpret it as an actual long division the way those of my pieces like it mostly are (see below), for something more subtle. Is it perhaps a fairly formal arrangement of a moment, or perhaps several years, into which Mathematics has stolen in an attempt to find out what makes it tick (and it does tick in a lovely serene way)?to perform something I suddenly see as almost a surgical operation. Some of the arrangement?s magic is becoming susceptible to the reasoning mind the two mathematical elements represent?the sequence ordering itself, and some of the rectangles easing the situation by leaving the main scene, others perhaps finding where a multiplication has set them . . .

What about the alternative idea of the dividend shed as a ray of sunlight?

Do I know what I?m talking about? A little bit, I believe. Mainly, I?m letting my mind drift in the slow currents of the collage?with the hope that I will encourage others to have similar fun not worrying about properly solving the work as a problem, but let themselves be carried away by their mathematical brains, their visual comprehension and poetic story-telling ability into lazy ?para-solutions? of it, or solutions apart but associating with whatever correct solution there is, if any.

Next, here is my ?Long Division Poem for Scott Helmes,? which was inspired by his many adventures in collage:

Long Division for Scott Helmes

Long Division for Scott Helmes

I?ve used up my interpretive skills on Scott?s works, so can?t say much about this right now. Know, however, that it is absolutely correct! Oh, also let me inform you that Aurora was the ancient Romans? goddess of the dawn. I should also confess that this may be unfinished. I?m not sure its quotient is entirely right. . . .

Finally, to demonstrate that Scott isn?t the only one doing artworks that are fascinatingly not mathematical and mathematical at the same time, as well as much else in divers arts and sciences, here?s ?function,? by Carlyle Baker:

Function

Function

You want an explanation? You gotta be kidding! Seriously, I plan to say something brilliantly insightful about it in my next installment, which will be about circles! Study up on them until then!

Previously in this series:

M@h*(pOet)?ica
M@h*(pOet)?ica: Summerthings
M@h*(pOet)?ica?Louis Zukofsky?s Integral

Source: http://rss.sciam.com/click.phdo?i=b0f85c48b21d1c63ff8c9629431c4717

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AP PHOTOS: Saturday's College Football Action

Kansas State quarterback Collin Klein (7) is brought down near the goal line by West Virginia's Pat Miller, rear, and Karl Joseph (8) during the second quarter of an NCAA college football game in Morgantown, W.Va., Saturday, Oct. 20, 2012. Kansas State won 55-14. (AP Photo/Christopher Jackson)

Kansas State quarterback Collin Klein (7) is brought down near the goal line by West Virginia's Pat Miller, rear, and Karl Joseph (8) during the second quarter of an NCAA college football game in Morgantown, W.Va., Saturday, Oct. 20, 2012. Kansas State won 55-14. (AP Photo/Christopher Jackson)

Kansas State's Tyler Lockett (16) is brought down by West Virginia's Karl Joseph during the second quarter of an NCAA college football game in Morgantown, W.Va., Saturday, Oct. 20, 2012. (AP Photo/Christopher Jackson)

Players from Kansas State, including Keenan Taylor (79), celebrate their victory with fans following an NCAA college football game against West Virginia in Morgantown, W.Va., Saturday, Oct. 20, 2012. Kansas State won 55-14. (AP Photo/Christopher Jackson)

Florida linebacker Jelani Jenkins (3) goes airborne after assisting on a tackle on South Carolina's Kenny Miles (31) during the first half of an NCAA college football game, Saturday, Oct. 20, 2012, in Gainesville, Fla. (AP Photo/John Raoux)

Boise State's Lee Hightower (29) is the first to take the field as Boise State wears black uniforms for an NCAA college football game against UNLV on Saturday, Oct. 20, 2012 in Boise, Idaho. Boise State won 32-7. (AP Photo/Matt Cilley)

Consider this performance an ad campaign for Collin Klein for the Heisman Trophy.

The Kansas State quarterback threw for a career-high 323 yards and three touchdowns and ran for four scores in the No. 4 Wildcats' 55-14 victory over No. 17 West Virginia on Saturday night.

Earlier, No. 3 Florida avenged consecutive losses to South Carolina with a 44-11 drubbing of the No. 9 Gamecocks. The Gators' latest win keeps coach Will Muschamp's team undefeated and on the cusp of the SEC's Eastern Division crown.

In other games Saturday, No. 1 Alabama topped Tennessee 44-13, fifth-ranked Notre Dame rallied past BYU 17-14, No. 6 LSU got past No. 20 Texas A&M 24-19, No. 7 Ohio State came back to beat Purdue 29-22 in overtime, and No. 10 Oklahoma crushed Kansas 52-7.

Here's a gallery of photos from Saturday's games:

Associated Press

Source: http://hosted2.ap.org/APDEFAULT/3d281c11a96b4ad082fe88aa0db04305/Article_2012-10-21-AP-US-College-Football-Photo-Gallery/id-aff3c86f4f1b4e7b9027333246c5d184

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Living with Nature - School on Blog by Dr. Abercio V. Rotor: St Paul ...


St Paul Museum - Pilgrimage Site (1995 - 2010)
Dr Abe V Rotor
Former Faculty Curator

Living with Nature - School on Blog
Paaralang Bayan sa Himpapawid?with Ms Melly C Tenorio
738 DZRB AM Band, 8 to 9 evning class Monday to Friday?

Lesson: ?Yes, you can build a Family Museum, Community Museum, Farmers' Museum. Start with available resources and small budget. ?Don't spend in infrastructure, technology and consultancy. The more personal efforts and skill you put, the more authentic your museum is, the richer its collection, more innovative - and it becomes a pride and personal triumph on your part, your family, and participating ?organization. ?

Another?manifestation?of your success is viewers identifying themselves with the things they see in your museum - culture, livelihood, art, etc. They feel it were their museum. This is the key parameter of the former St Paul Museum. ?Students, parents, guests, conference participants felt "at home." They held high trust and confidence in what the museum offered them to see, enjoy and learn. ?There was a variety of events, a diversity of collections. Thousands - countless in fact, came with many coming back. Testimonies of pilgrims getting their wishes come true are not uncommon; so with reported cases of healing. On rare occasions there were friends and guests who paid their final visit before they died. I saw how peaceful they sat alone contemplating in some corner. On rising they would grip my hand and whisper a tearful goodbye. ?This was too much but I learned what it means to be a curator. How I wish I can have the same opportunity to say goodbye to the museum I lived with for the best 15 years of my life. ?I just don't know whose hand I shall grip - except the invisible hand of St Paul, the same hand that guided me in all those 15 years I was with him, his disciple and son. ? ? ? ? ? ?


Face of Christ in the Woods?(AVR)


World War II Memorial at St. Paul University QC stands in front of the museum

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Spirits to me are guiding signals that sometimes take the form of humans. They carry messages that lead us to the theme of our art such as in these particular cases. The denominator is goodness ? they help us seek goodness, and goodness leads us to truth ? truth that is built by strong faith other than reason.

Can we decipher messages the same way we receive communications in daily life? I say no, not always. For the message with deep meaning are not readily evident. One has to labor in order to understand it, and capture the essence of that message.
-----------------------------------------------------------------------------------------------

At a corner inside the former St Paul University Museum in Quezon City, where once stood an altar many years ago when the Japanese invaders converted the campus into a concentration camp, a small group of visitors bowed in deep thoughts and prayers. For a moment these pilgrims transformed the museum into a holy place.

It was like turning back the hands of time into the Second World War. Now there is peace. There was hatred, but that too, has given way to forgiveness. Despair, and now hope, pride into humility. These contrasting scenarios provide very valuable lessons of man. For man is tempered by war and mellowed by the peace that follows it. All these took place for half a century or so.

The SPUQ museum stands as a witness of the history that shaped the school. The events are the lifeblood of the museum - its walls originally the immaculate walls once stained with blood speak of peace, its pillars the original pillars that withstood the atrocities of war and the tests of the elements and time attest to endurance and posterity.

The museum is not only a repository of history; it is the abode of history. It is like Fort Santiago or the Paco Cemetery. Or the great Pyramids of Egypt, the City of the Dead of the Aztecs, Jerusalem and Rome. These museums have one thing in common: they are part of history. They are living relics that chronicle past events,? stirring nationalism while promoting brotherhood in men. They strengthen universal values and rekindle the spirit. They bring the relationship of man with his Creator closer and harmonious.

Since its opening in late 1994, many pilgrims, old and young, parents and students, city and rural folk, have brought significance to the museum. Other than being an educational institution, it has somehow earned respect for pilgrimage.

School in Ruins (8 ft x 8 ft, AVR)



The building is a early American architecture bearing the basic designs of Greco-Roman style ? high ceiling, prominent, bare and square pillars, solid walls with small grilled windows. The entrance is unassuming, yet there is an aura of dignity that engulfs one on opening the door. For a panoramic view meets the eye, with virtually all four corners optically converging. The scene is accentuated by the massive murals depicting some chapters of the life of St. Paul, and widened by the transparency of the glass cabinets allowing the eye to roam freely.

All these no doubt contribute to the pilgrimage atmosphere. But what is revealing is the gathered information of the place coming from no less than the sisters, many of them in their seniors and living at the nearby Vigil House then. Some of the informants have already died, but the memory of the place lives. .

The senior sisters recall the place as a prayer house. ?There was an altar which was slightly located towards the left corner of the room adjacent to the backdoor.? And they would point out the place in the museum. The backdoor leads to the basement, which was used as clinic during the Japanese occupation. The wounded and the sick were led to the prayer house and to spend time meditating, praying, or just to let time pass by. On several occasions the dead were brought for the wake.

Imagine that for a period of four years, SPUQ then a novitiate and a school for elementary and high school, was made into a garrison and concentration camp, the same way the Japanese did to UST during the same period. And also to De La Salle University in Pasay. We do not know how many died but many Filipino, American and Japanese soldiers died. There were residents, foreigners, women and children who also died.

My students would ask me whenever I tell them the story if there are ghosts on the campus ? or spirits of the dead. ?Have you seen or felt their presence?? I would counter. And the conversation lengthens, creating a world of the supernatural in the process.

Anyone would believe in spirits that may make their presence felt in one way too many, depending on who is telling the story and who are listening. I for one sensed their presence on a number of occasions. The question with believing in the supernatural though is that the mind cannot decipher reality from imagination. But it is this aspect from which we build our stories and beliefs. Take this experience as an example.

In 1994 I was painting Saul on Damascus Road into the night alone. The museum was dead silent. What a conducive time to paint! Then suddenly the arm of Saul ?moved? an inch or two downward. My brush missed the outline. I made the necessary correction but this time the arm had moved upward and now I have two errors to correct. I told myself I was too tired, and left the museum for home. That night I dreamed of Saul? holding a?red robe, which he was to use to clothe the dying Christ. Early that morning I went to the museum and continued painting the arm. I fixed Saul?s right hand and put on the red robe on it. Where did the idea of the red robe come? Was it a dream or a message I got? What made his arm move? Or was it a way of getting a message across?

Saul on Damascus Road (8ft x 8ft, AVR)


I remember at one time in the early part of the painting I received visitors while I was painting the sky on makeshift scaffolding. Causally they would come and take a look at my work. Sometimes they would ask me a question or two and I would obligingly give an answer without breaking my concentration. One evening a kind sister visited the museum. She stood for sometime looking at what I was doing on the scaffolding. Anyone at the top could not see well the person below. And not know when she came and had gone. What I remember was her large hat, but that crossed my mind only days later. Who was she? Where did she come from at 9 in the evening?

At one time I was painting Paradise After Rome. This time I did it at home at our front yard. It took me till dusk. A silhouette figure kept passing at the corner of my eye. I would have dismissed it but it came twice, thrice, not saying a word and not pausing. But there is semblance of the figure I was painting with the silhouette ? a bearded man and heavily built, clothed in flowing robes. The big difference though is that the man I was painting was about to be beheaded while the silhouette was roaming free, with an air of dignity and command.

The following day I changed the man on my painting. Yes, death, I realized is resurrection. So I painted Paul, the resurrected, on the day of his execution when Rome was?being?razed by Nero?s torch.



Spirits to me are guiding signals that sometimes take the form of humans. They carry messages that lead us to the theme of our art such as in these particular cases. The denominator is goodness ? they help us seek goodness, and goodness leads us to truth ? truth that is built by strong faith other than reason.

Can we decipher messages the same way we receive communications in daily life? I say no, not always. For? the message with deep meaning are not readily evident. One has to labor in order to understand it, and capture the essence of that message.

For example on the painting, The School in Ruins, which I entitled in an accompanying verse, Grow and Bloom, Grow and Bloom, an outline of a young devil cast a shadow on the burnt building. This was discovered while I was working on the dying smoke emanating from the fresh ruins. Someone almost shouted at me, Stop, stop! and then he explained. He was seeing a devil in outstretched hand hovering over the ruins. I preserved the outline. Anyone who comes to the museum today experiences the same thing the discoverer made twelve years ago. Yes, the war, the killing, the burning, the looting are works of the devil. His imprint makes us aware not to submit ourselves to evil, but rather fight it at all cost.



The community takes pride in having a museum accredited by the National Commission for the Culture and the Arts (NCCA), and the museum curator sits in one of the Commission?s sub-committees. The SPUQ Museum is also a member of the Association of Museums in the Philippines. Because of these, the school has the opportunity to take part in various national programs in health, environment, historical events, food and nutrition, and community development, to name the major events. In return, the museum is recognized for its effort. It is one of the very few school museums given such distinction.

Our own students, faculty and the whole community recognize that here in a not far, far land is a little Smithsonian, a little Gethsemane, a little Lourdes, and a little Sistine. And the same Goodness we find there is? also found here ? here at the SPUQ Museum.
x x x
------------------------------------------------------------------------
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Author?s Note: Prominent pilgrims to the SPCQ Museum include high government officials, leaders in the business, university professors, journalists, personalities in the entertainment world, Filipino balikbayan and their families. The Mother Superior of SPC visited the museum on her visit to the Philippines. Officials from the United Nations, ASEAN and EU on their mission to the Philippines included in their itenerary a visit to the museum. The identities of many of them are kept to give due respect to their person and privacy. The museum celebrated its 15th year in 2010 - its last year as conceived and made fifteen years ago (1995 to 2010).

These murals shown in this article, together with three others, have been removed from their original home for 15 years soon after I left the school as professor and curator due to old age. These murals were transferred to an open area in 2011, and are now exposed to uncontrolled environmental conditions. They can be viewed near the school canteen.?The school's modernization program included a total renovation of the original museum.?

The modernization program in the last ten years displaced the priceless botanical garden, a natural gene bank of more than 200 species of plants which were studied and?documented?by one of the country's leading biologists, Dr Anselmo S Cabigan. ?The garden had two large greenhouses modern even with today's standard. In the late nineties the garden evolved into an Ecological Sanctuary. ?Semblance of wildlife took shape with?resident?and?transient?organisms forming food chains that linked up into food webs and natural cycles ?which are indicators of a functioning ecosystem.
A series of articles in the Paulinews became a valuable reference of the then College.
In the years that followed with a boom in infrastructures, especially the school's modern buildings blocking the sun, eating out every inch of open space, the EcoSanctuary became a minuscule park of benches and?potted?plants and kiosk. ?
Which leads us to inquire that is really the intent of modernization. ? ?
----------------------------------------

A?pilgrim took notice of Saul talking with Christ on Damascus road. Did Christ really appear to him? But look again at the painting. That is why those who come to the museum stay longer than to visit. They pray. They wish.


Students facing the trials of defending their thesis come to the museum. They come from UST, Pamantasan ng Maynila. Students seeking entry in medicine proper, reviewers in bar and board exams ? they come and wish. There are those who come back, others have not. Well, the story of the ten lepers ? not all came back to thank. But more are come. Many for the nth time. Our own students, faculty and staff ? they are the first pilgrims. They are pilgrim to recognize that here in a not far, far land is a little Gethsemane, a little Lourdes, or a little Sistine.? And the same God we find there is also found here ? here at the SPCQ Museum.

Prominent pilgrims to the SPCQ Museum include a former senator, a former cabinet member, a former commissioner, university professors, journalists, personalities in the business and entertainment world, Filipino balikbayan and their families. Their identities are kept to give due respect to their person and privacy.

History of the SPCQ Museum

(and Participation in Major Events)

1994 - Presentation and approval of the museum plan

1995 - Opening of the museum
- Celebration of World Youth Day and visitation of the
Holy Father to the Philippines

1995-96 - Golden Jubilee of SPCQ
- Tri-centennial celebration of St. Paul of Chartres

1997 - PAASCU accreditation (college)

1998 - Bicentennial celebration of Philippine Independence
1999 - Launching of Center for Community Development?(CCD) Program
2000 - Earthday ? Ecology Week
2001 - Exhibit on tie-up between SPCQ and Red River College (Canada)
2001 - PAASCU accreditation (college, 1evel 3)
2002 - PAASCU accreditation (High School)
2004 - Exhibit on Biodiversity (w/ Haribon Society)
2005 - Summer Art Workshop Exhibits; Drama Skits (Humanities students)
2006 - Photo exhibits on environment; Linggo ng Wika, Health Week?
2007 - Environment in Photographs (MASS COM Students)
2008 - Ist National Conference on Environmental Advocacy Exhibit
PAASCU Accreditation
2009 Fifteen Years in Retrospect

Note: The Museum also participates in national celebrations such as Education Week, Science Week, Linggo ng Wika, Dental Health Week, Nutrition Week, Environment Week and the like through exhibits, poster making and symposia.

Special features of the SPCQ Museum

1. Seven Sisters ? first Paulinian mission to the Philippines in sculpture by Julie Lluch
2. Mural paintings by AV Rotor
? St. Paul on Damascus Road (8ft x 8ft)
? Shipwreck at the Mediterranean (4ft x 9 ft)
? The Burning of Rome and St. Paul?s Martyrdom
? Lilies of the Pond (SPCQ in Ruins, 1945) (8ft x 8 ft)
? Ruins of Colonialism (8ft x 8ft)
? Light in the Woods (30? x 46?)
3. Miniature Dioramas of Biomes and Major Ecosystems
4. Madonna and Child Collection
5. Story of St. Paul of Chartres Series
6. Photographic Study of the Pieta by Michelangelo
7. Illustrated Life of St. Paul
8. Historical Photographs of SPCQ in pre-war and post-war years
9. Philippine culture
10. Endangered animal specimens
11. Philippine Music Collection by Filipino composers
12. Memorabilia from the Paulinian community

Source: http://avrotor.blogspot.com/2012/10/st-paul-museum-pilgrimage-site-1995-2010_21.html

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Saturday, October 20, 2012

Popular's Q3 profit up 71 pct.

SAN JUAN, Puerto Rico (AP) ? Popular Inc., which operates Banco Popular and other banks in Puerto Rico and the U.S., said Friday its third-quarter profit jumped 71 percent amid continued stable revenue and declining bad loans.

Popular reported net income of $47.2 million, or 45 cents per share, in the July-September quarter. That compares with $27.5 million, or 26 cents per share, in the third quarter of 2011.

Net interest income, or money earned from loans, declined to $343.4 million from $369.3 million a year earlier.

Net charge-offs, or loans written off as unpaid, fell to $95.8 million from $98 million in the second quarter. It was the fourth-straight quarter that the figure has declined.

The bank set aside $106.2 million for loan losses, down from a provision of $176.3 million a year earlier.

Shares of Popular, based in San Juan, Puerto Rico, fell 30 cents to close at $18.98.

Source: http://news.yahoo.com/populars-q3-profit-71-pct-232048486--finance.html

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This Is What Happens When You Try To Randomly Join A Classic ...

This Is What Happens When You Try To Randomly Join A Classic Car RacePalermo, Sicily ? My grandfather grew up in Sicily, and I've been listening to his stories about watching the Targa Florio and Mille Miglia for years. I thought those legendary Gran Tourismo races had long ago gone the way of the dodo, but I thought wrong.

The Targa Florio, it turns out, has been resurrected. As with any corpse that's been disinterred after three decades underground, it's seen better days. But the new version celebrates the historic race with restored versions of the cars that made history at a time when the people in those grainy black and white race photos were still in their prime.

I knew that by hook or by crook, I had to go check it out. So with no real plan other than "go watch the race," I traveled to Sicily, hoping to link up with one of the teams (or anyone with a car, really). Here's what I found.

Like the Olympics, automotive endurance races have always been a proving ground for human advancement. They cover every level of competition from an engineer's careful planning of a cylinder head or track layout to split second decisions made by drivers in those many win-or-lose moments.

This Is What Happens When You Try To Randomly Join A Classic Car RaceThe first Targa Florio was held in Sicily in 1906 and by the '20s, had become Europe's most important Gran Tourismo race. The 24 Hours of Le Mans and the Mille Miglia were still brand new, and Grand Prix had yet to enter the limelight. The Targa Florio was a grueling test bed for automotive technology, and varied in length over the years (with the exception of the two world wars, when it wasn't run at all). But it was always a challenging slog through labyrinthine tangles of treacherous mountain roadway in Sicily's stark, stunning interior and along its lush Mediterranean coastline.

This Is What Happens When You Try To Randomly Join A Classic Car RaceBy the late '70s, the GT cars running the race had attained horsepower levels unimaginable when Sicily's mule cart roads were designed by Bourbon-era engineers. Safety became a major concern and the race was more or less shut down after a fatal crash in 1977, surviving in name only as part of a rally circuit.

But the 2012 Targa Florio, the second held since authorities pulled the plug on it in the '70s, turns back the clock. The old cars in the race are fast, but they're not 2012 fast. They even make different noises than today's cars. You know the sounds: the clatter of mechanical lifters; the raspy snarl of a pair of pipes sucking in cold air. The smell of unburned hydrocarbons lingering in the air as they buzz by.

Naturally, I showed up at the race on press registration day. It was held at the University of Palermo, on Sicily's north coast. As soon as I arrived, I knew I'd made the right decision in coming. Right at the front gate were a 1954 Maserati A6GCS and a 1957 Alfa Romeo 1900 C Super Sprint. All sexy curves and red-painted sheetmetal, these were cars which had etched their names into history decades before I was born. The din (and the fumes) of all 200 or so of the old cars starting up and revving their engines in preparation for the start is something only a true gearhead can appreciate, but that will make all others take notice.

This Is What Happens When You Try To Randomly Join A Classic Car RaceI had no idea what I was doing, and since the press office lady didn't really seem to have anything to do with anything related to actual journalists, I was left to wander around and chat with wealthy car owners. Not much luck on that first go. The Italian guy who had his mother as co-pilot declined. Even 160 pounds of extra weight would make a difference in his 1100 cc Fiat. The Dutch couple driving the '57 Peugeot 403 were picking up friends along the course and didn't have extra space. I would have been more than willing to slide between the sisters van de Velde in their 1950 Healey Silvestone, but they weren't into it. Several people looked at me as if I'd just crawled out from behind a dumpster and asked them for spare change when I sauntered up to offer salutations.

Luckily, I met Benno Heer, a Kaiser Partner HR guy who was driving Fritz Kaiser's support car. Not only was Fritz Kaiser's company one of the major sponsors of the race (their name was plastered on the side of every car), but it just so happened that he had one of the most beautiful, and rarest cars known to man: a 1955 Lancia Aurelia Spyder America. According to Kaiser, it's one of only about 150 left on the planet. Lancia didn't make too many to begin with, then, allegedly, a shipment of them sank with the Andrea Doria, the Genovese liner that went down off the coast of Nantucket in 1956.

But there it was, in all its curvy red, dual-Webered glory; a real Aurelia Spyder. Heer and I followed it in a new Volvo V60 turbo diesel which, in all honesty is probably a much faster (and safer) car. But the sound that thing made was incredible. Whichever Italian genius was in charge of designing the exhaust system (the tubo di scapamento, if you will) must have been a fan of opera, because those two pipes sounded like a pair of sopranos singing an aria at Palermo's Teatro Massimo.

This Is What Happens When You Try To Randomly Join A Classic Car RaceThere's something about these vintage car races to which I've already alluded. The people who do them are, for the most part, fabulously wealthy. That's not much of a departure from the days when Vincenzo Florio and his cohort of princes and noblemen tried out the first race cars on the original course. From a journalist's perspective what that means is that if the rich guys don't offer to foot your bill, finding an affordable hotel at the blingy stage stops can be a problem.

Sorry, but this reporter cannot afford to lay his weary bones in a five-star in resort towns that have been playing host to Italian nobility since before Italy was Italy (it used to be called the Kingdom of the Two Sicilies). Hell, even the cheaper hotels are out of reach. The last time I stayed in Toarmina, I booked a room at the Jolly Hotel in Catania, an hour's drive to the south.

This Is What Happens When You Try To Randomly Join A Classic Car RaceSo I did what any resourceful lad would do. I put my computer in a plastic bag and slept under the stars like a hobo. Skillfully avoiding the probing questions of people who wanted to know which hotel I was staying in, I deployed the "over there" tactic enough times to escape, then found suitable places to sleep. Taormina's fabulous seaside/mountainside opulence coughed up the best option: a rooftop that was easily accessible because the building it covered was on a steep hillside. Not only did that mean that the sun would great me at 6:30 a.m. ? precluding the need for an alarm ? but I could take solace in the fact that Joseph, Mary, and little baby Jesus slept on the roof, too (I'm pretty sure that's what they told us in Sunday school, anyway).

But during the day, there was too much driving on the docket to worry about anything but driving. Meals, when they could be had, were provided by the man. They were lush, and served in vineyards and ancient stone castles and the like, so even if they'd given me horsemeat, I would have been too dazzled by the romantic setting to have been the wiser. I even got to dine with a wheelchair-bound Frenchman who was kicking ass in a hand control-operated 1955 Porsche 356 Speedster.

The scenery was fantastic; something like what Southern California would be like if it wasn't choked with smog-belching freeways and its hilltops were dotted with medieval hamlets. Dry valleys made way to green mountains as we made our way to the aquamarine Mediterranean, and almost every town we passed through seemed to have a bronzed old man leaning on a fence by the road, most often with a cigarette dangling from his lips, staring blankly as the cars (and everything else) passed by. Oh, there were lots of really excited, screaming Sicilian children, too.

The horse I'd hitched my wagon to (rather, the one that allowed me to hop on his cart), didn't fare too badly. Pretty solid middle-of-the-pack performance, really, and not bad considering the Aurelia Spyder had some steering issues along the way. He and his wife/co-driver Birgit came in 73rd.

It sounds like the organizers are going to run this race again, and I for one would love to be there for it. But seeing as how being a hobo camp follower is getting a little old, I see a couple of options. I can a) enter a life of crime so that I can make enough money to buy a '54 Lancia Aurelia B20 GT (fantastic cars, those, and I've always wanted to be one of those Pink Panther-esque cat burglars), or b) offer to drive a support car for one of the teams. I wonder if my uncle Enzo will let me borrow his Peugeot 208 for a weekend?

This Is What Happens When You Try To Randomly Join A Classic Car Race

Photo credit: Benjamin Preston

Source: http://jalopnik.com/5953327/this-is-what-happens-when-you-try-to-randomly-join-a-classic-car-race

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